Song Of Solomon By Toni Morrison Essays - Song Of Solomon, Milk

Song of Solomon by Toni Morrison Throughout the centuries many authors have attempted to capture the individuals quest for self-authenticity. In the novel Song of Solomon, Toni Morrison depicts the many aspects of self-actualization, as well as the tormenting road that leads to the shaping of an individual. Through beautiful language, with immense reality, she is able to describe young black mans journey as he uncovers his personal history, myth, and essence. The story revolves around generations, past and present, of a black family in the south. The character of Milkman (Macon Dead jr.) evolves through the descriptions, events, and experiences of others. His parents, Macon Dead sr., and Ruth Foster Dead, represent the wall-blocking Milkman from his true authentic identity. Many of Milkman's major problems are a direct result of his parents suffocating mistakes. Ruth breast-fed Milkman until he was six years old, hence the name Milkman. She was sexually repressed by her husband for twenty years, and used her young son as a substitute for sexual intimacy. Ruth believed that she possessed no authenticity, and that she was insignificant and isolated. By passing these negative attributes and emotions to Milkman she disturbed his natural process for growth, and ultimately left him feeling lost and insecure. Instead of encouraging Milkman to grow and mature, Ruth hoarded him into the world that she herself despised. Milkman's father, Macon Dead sr., became a ruthless money hound after his father, Jake, was shot and killed for his property. This devastating event from his childhood made him miserly, insensitive, and stingy. Macon Dead sr. becomes a money hungry machine because he does not want to suffer the same fate as his father. Macon Dead sr. fails to tell Milkman the reasons behind his miserly attitude. Thus creating an insurmountable gap between their relationship. Milkman's mother and father both thrust their personal fears on him adding to the destruction of his personal identity. Only after Milkman uncovers these tribulations behind his parents' identities, can he begin his quest for self-authenticity. By displacing the profound effect Milkman's parents have on his quest for self-actualization, Morrison is able to convey her theme of generational conflict. Without appropriate parental guidance, honesty, and explanation Milkman has trouble finding the authentic individual within himself. The inner turmoil within both Ruth and Macon Dear sr. reflects negatively upon Milkman, leaving him lost and unfocused. Morrison writes of this hole within Ruth, "?because the fact is that I am a small woman. I don't mean little; I mean small, and I'm small because I was pressed small. (p. 124)" Instead of accepting the problems with their own authenticity, both parents force their unauthentic values on Milkman. The overbearing needs of both parents result in Milkman's need to find his personal Identity in other places, other people. The individual who first inspires Milkman to discover his own identity is Pilate, the forbidden sister of Macon Dead sr. She is a mysterious woman, large, masculine, and frightening. Her brother abandoned her after years of support because she began making wine. Macon Dead sr. this drunken profession, and subsequently forbid Milkman to encounter her. Despite his father's wishes Milkman is intrigued by Pilate and quickly becomes absorbed in her magical, spiritual, fulfilling world. This was the same world that once held his father in awe. Morrison writes, "surrendering to the sound, Macon moved closer. He wanted no conversation, no whiteness, only to listen and perhaps to see the three of them, the source of that music that made him think of fields and of wild turkey and calico. (P.29)" By entering into Pilate's' home Milkman begins to question why his father acts the way he does. Through Pilate, Milkman discovers a past that seems lost within his father. This realization begins! ns Milkman's quest for self-authenticity. Milkman's flight to identity takes him many places. He is fortunate to have a friend, Guitar, who is also lost, and hunting for his authentic identity. The two pursue adventures and their contrasting personalities leave them wit ha wide perspective on events and experiences. While Milkman seems quiet, poetic, almost stumbling on his authentic self. Guitar is eager, outgoing, and aware of his needs. Morrison creates Pilate as a metaphor for a

Romeo and Juliet The Movie essays

Romeo and Juliet The Movie essays When I first saw Romeo and Juliet I was amazed by the effects and the story surrounding it. This version of Romeo and Juliet is a wildly passionate love story that captures the brightly burning emotions of youth. Baz Luhrmann the director of Romeo and Juliet takes Shakespeares famous play and updates it to the hip modern suburb of Verona but still retaining its original dialogue. The gun toting members of the families wage a vicious war on the streets as the star-crossed lovers, their tragic destiny. It is a rivalry between the Hispanic Montagues and the punk Capulets. Luhrmann wanted a realistic updating of the famous Shakespeare story so he decided to present the Montague and the Capulet family as rich people in a modern world. In the original Shakespeare play the families were wealthy so Luhrmann is trying to stick to the story as much as possible in this tale. When Baz Luhrmann chose Leonardo DiCaprio and Claire Danes as Romeo and Juliet because he was hoping to make a Romeo and Juliet that was accessible to young audiences. He wanted the perfect couple, good looking and youthful so his choice of main actors is therefore... one word love. Harold Perrineau (Mercutio) and John Leguizamo (Tybalt) were chosen because they are the typical type to play that character. John was able to give this bad boy image for Tybalt while Harold was able to make Mercutio funny and charming yet a perfect fighter when need be. These were the perfect characters to watch over Romeo and Juliet. Miriam Margolyes tends toward caricature as a Hispanic Nurse, but is always understandable and occasionally funny, while Peter Postlethwaite turns in the films strongest performance as the morally ambiguous Father Laurence For the play Luhrmann gives each actor a different type of style of clothing to suit his or her characters though he makes sure its very modern. He gives Tybalt a gothic bad...

Protein Essay Example | Topics and Well Written Essays - 500 words

Protein - Essay Example The enzyme which is required for these processes to occur is alanine amino transferase. Proteins have various functions. They are broken down to amino acids which then provide energy to the body. Thus they serve as an energy source. They also form various enzymes, blood transporters and plasma proteins that perform the function of transport and help to control water balance. Proteins are also an integral part of clotting factors. Muscle proteins are also very important as they bring about contractions. Hormones such as insulin and glucagon are also made of proteins. Elastin and collagen which are integral parts of connective tissues are also made up of proteins. Compared to the digestion and absorption of other nutrients, the digestion and absorption of proteins is complex as various enzymes are involved in manufacturing of the end-products of proteins. Stomach is the major part of the gastrointestinal tract where protein digestion occurs. Acidity of the stomach allows activation of pepsin and denaturing of proteins which involves uncoiling. Further digestion occurs in the small intestine in the presence of proteolytic enzymes which form amino acids. Absorbed form of proteins are amino acids. The main harmful effect of amino acid supplementation is that it may hinder and decrease the absorption of other amino acids which may lead to an amino acid imbalance. This defect may occur because amino acids share absorption transport systems. Hence, it is advised that individual amino acid supplements should be avoided. Nitrogen balance is a standard which has been set to understand the excess or deficiency of proteins in the diet. The nitrogen balance keeps the amount of protein consumed and lost in balance. If the balance is disturbed, the person is said to have lost nitrogen equilibrium. Nitrogen balance is necessary to understand if the body is growing properly or not. Protein under-nutrition is also referred to as protein-energy malnutrition. Two most

Ethical Viewpoints Essay Example | Topics and Well Written Essays - 750 words

Ethical Viewpoints - Essay Example According to Dr. Tod Mikuriva , a former national administrator of the U.S. governments marijuana research programs, "After dealing with about 10,000 patents in the last 15 years, Id say about 200 different medical conditions respond favorably to cannabis". Of those diseases that responded favorably to marijuana treatment was Alzheimers disease, epilepsy, multiple sclerosis, glaucoma, arthritis, depression among the 200 diseases that it can possibly treat. Just recently, Uruguay legalized not only the distribution and selling of marijuana but also the growing of it. As expected, controversy arose from it but the move made other countries receptive to the debate of legalizing marijuana and away from the usual hardline stance of banning it. The debate may still be long and bitter but the mere fact that it is being debated indicates an openness of accepting marijuana as harmless and medically helpful that could be a good source of revenue for the government. The draconian measures imposed against the distribution and use of marijuana is not only pointless but economically costly as well. The most stringent law nor the broader use of the state’s police power have not deterred people from its used and this only manifests that the escalation of control and police enforcement is a wrong response and therefore pointless. It only pushed the industry into the black market which begets another set of problems. Worst, the medical benefit of the regulated use of marijuana is foregone by banning it as illegal. It only makes cartels rich just like what happened to alcohol when it was banned. It was the mafia who got rich. It is also economically costly because maintaining law enforcers to go after marijuana distributors and users needs funding which will be taken out from tax payers. In addition, there is also an opportunity cost associated in banning marijuana. The taxes that should have been collected in regulating marijuana was lost becau se

Lenovo Research Paper Example | Topics and Well Written Essays - 1250 words

Lenovo - Research Paper Example Shipping is one of the mechanisms that reduce the costs of the business in distribution, labor and administration. This company falls under an oligopoly type of a market structure. Just like any other global company, the company faces competition but its high quality products and services has built a good name for the company. Diversity in employees is the reason as to why the company is able to produce more innovative and diverse commodities because the company understands the needs of its consumers. Cost structure of the company is the main reason as to why the company is doing very well in the global market because it is in a position to offer affordable prices to its diverse customers. The company’s labor cost is relatively because of immigration. Healthcare costs and immigration contributes to the cheap skilled labor available and diversity of the products to cater for all customers with different purchasing powers. Inequality existing globally has helped the company to c ome up with strategies of diversifying prices and commodities too. Lenovo Group Ltd is a very famous Chinese multinational company that deals with computer technology. It has its headquarters s in China, North Carolina, Beijing, China and United States. This company solely designs personal computers, develops and manufactures the computers, tablets, smartphones, servers, workstations and electronic storage devices. The company also deals with softwares for IT management and smart televisions. The company operates in more than sixty countries but it is able to sell in more than 160 countries. Elasticity of demand is the degree at which demand for a certain commodity or a service differs with the price. In many cases, an increase in sales results from a decrease in price while a decrease in sales results from an increase in prices. The company’s revenue is always high even when the demand in the countries falls. Its shipment volume is very high thus compensating the lost

Masculinity In Marlowes Edward The Second Play

Masculinity In Marlowes Edward The Second Play Renaissance plays often have the tension between order and disorder as its underlying central issue, which is frequently expressed through the conflicts presented in love, loyalty, family relations, gender issues, and politics and law; and these plays attempt to reinstate order in the end by trying to dispose of those elements that cause the disruption of society. One widely celebrated author from this period, famous for his works Hero and Leander and Doctor Faustus, is Christopher Marlowe. Marlowes plays are similar in respect that the tension of order and disorder lies at its core, and an in depth analysis can be done of his play Edward the Second on all the previously mentioned themes. Marlowes Edward the Second questions the gender boundaries as presented in the early-modern period, and the notions on masculinity are closely intertwined with politics in this play, which can be noticed when focussing on ideas of masculinity with regards authority, sexuality, and women as presented in Marlowes play. Women, thus, were axiomatically perceived as being subordinated to men, especially concerning the financial and legal organisation of society. As the normal manner in which the head controls its body, the subordination of women was considered to be absolutely natural (hobby, 32). Domestically, the power rested with the father who was considered to be in command. Women were considered to be less rational than men and prone to emotional outbursts, and, consequently, they required male protection. (Traub, 129-130) According to Curtis Perry in Eros and Power in English Renaissance Drama, masculinity was stereotypically associated with rational self-command and constancy (6), and to handle public orders as opposed to personal desires (Shephard, 75), while effeminateness was linked to uncontrollable passion, spending to much time at home, and being dedicated to women in a subordinate rather than mastery position (Sinfield, 88). When discovered in men, these effeminate qualities instigated the downfall of social structures and positions as recognized in early-modern England; so, men should attempt to repudiate this effeminate behaviour and assert manliness. Furthermore, according to Stephen Orgel, manhood was not a natural condition but a quality that had to be striven for and maintained through constant watchfulness (Orgel, 29), which was done through manuals -for example Castigliones The Book of the Courtier- that emphasized masculine behaviour without showing effeminate behaviour. Other significant features of masculinity included fighting and violence, rivalry, uniforms, being a father, and facial hair. This last trait separated men from the boys who appear often in conjunction with effeminacyà ¢Ã¢â€š ¬Ã‚ ¦[and] from the viewpoint of the masterful male they are both inferior (Sinfield, 103). Also, men are physically stronger than women, and in an age where there is no technology as existing today muscles were required for accomplishing hard, physical labour, resu lting in men being more dominant compared to women. Additionally, manliness generally meant hanging out with other males (Sinfield, 88) and, in the early-modern period social stability and order were governed by these homo-social bonds between men, for everyone was defined in relation to these. The social structure was constructed round systems of patronage and clientele between men, and many institutions required men to share domestic space with one another, especially beds. The relations between master/servant, or tutor/pupil for example were often specified in terms of an idealized friendship and were essential to society. The emphasis upon the importance of manliness as a performed role and the centrality of the inter-male relations as the basis of social order places the men and the male body at the centre of society (Hattaway, 482). Nevertheless, there were exceptions regarding the general gender-roles as mentioned above. Widows, for example, had some power in the domestic sph ere and in financial businesses, because they had no man to arrange their businesses. Moreover, Queen Elizabeth was a woman with power and control, and was thus associated with masculine qualities. Although females with masculine traits were usually perceived as anomalies of society, this was not the case for Queen Elizabeth who is considered to be one of Englands most remarkable leaders. In this period, the role of a king or queen was primarily a public position, and their authority and ability to rule the country was inextricably intertwined with their ability to govern themselves, which is a central theme clearly illustrated in Christopher Marlowes play Edward the Second. Kings were regarded as possessing ideal personal virtues that made it able for them to govern a country, which was seen as an extension of him/herself. Accordingly, personal self-control was a quality that was emphasized, because without self-control a king/queen was unable to govern his/her country. Perry observes that a king [was] bestowed upon a people by God, and if God wishes to reward a virtuous people, their ruler will be given the personal moral excellence to control himself(10). This implicates that a ruler should always have the best interest of the realms people in mind, respecting traditions and regulations, for the decisions made by a particular ruler and the manner in which he perfor ms his office effects not only his immediate subjects, but people of all degrees of society (DiMatteo, 177). This is a notion stressed by King James VI/I in his book Basilikon Doron: As he cannot be thought worthy to rule and command others, that cannot ruleà ¢Ã¢â€š ¬Ã‚ ¦his own proper affections and unreasonable appetites, so can he not be thought wordy to govern a Christian people, knowing and fearing God, that in his own person and heart, feareth not and loveth not the Devine Majesty. (qtd. in Perry, 1) Also, there was no clear distinction between the kings personal life and private life, and, accordingly, the kings/queens personal identity and morality was a public matter. Rulers were considered to be the moral representatives of their people, and were required to set a good example: Kings, being public persons by reason of their office and authority, are, as it were setà ¢Ã¢â€š ¬Ã‚ ¦upon a public stage, in the sight of all the people where all the beholders eyes are attentively bent to look and pry in the least circumstance of their secretest drifts. Which should make kings the more careful not to harbour the secretest thought in their mind, but such as in their own time they shall not be ashamed openly to avouch. (qtd. in Perry, 4) As a result, rulers had to control their feelings and personal desires for the sake of the countrys welfare and were not entitled to give up everything for, for instance, love or personal desires. This also meant that friendships should be chosen because of their counsel, nobility, and moral wisdom rather than for any more inward or subjective reason (Perry, 4), because rulers distributed wealth and power among these friends, meaning that is was imperative that these positions of power were granted to capable individuals for the benefit of the country and its citizens. Consequently, this had to be done according to reason and not according to subjective feelings. When decisions were made according to misguided reason and passion, political tyranny was the result, for the overthrow of reason by passion leads a ruler to violate the principles of moral rule.(4) Moreover, tyranny [was] often seen as effeminate and associated with moral weakness (8) because it results from the rulers inab ility to control his/her aspirations. In Marlowes play, king Edward II is incapable of regulating his own desires and thoughts, and the imbalance and the violence ensued by the kings affection for Gaveston reminded an audience just how important a rulers ability of self-control is. The problem issued by the nobility in the play of Edward having Gaveston as his favourite lies mainly in Edwards decision to bypass them and to bestow to much power on someone of low birth without their consultation, which is in lines with customary political regulations, that it is possible for that person to overawe them. Laws were considered to be issued by God, and if God had wanted Gaveston to be that powerful God would have bestowed him with more power, and by granting Gaveston with that much power Edward denigrates the rest of his peers as stated by Lancaster: In this play, Gaveston represents the unruly desires that threaten to overturn the rational social order of society. Gaveston believes that as the personal favourite of the king he will be empowered in such a way that [His] knee shall bow to none but the King. (1.19) However, Edwards peers insist that the king must behave according to his impersonal duty to the publics need by suppressing his own longing and desires and acting out of reason. Mortimer senior emphasizes this need to conform to public wishes in the play when stating: If you love us, my lord, hate Gaveston. (1.79) Here, Mortimer senior asks the king to distinguish between two kinds of affection. On the one hand, there is his personal love and intimacy he feels for Gaveston, which is ascribed to passion and personal desire. Contrastively, there is an impersonal kind of love determined by the public status in moral reason: namely the affection a king is required to hold for his peers. So, Mortimer senior asks his king to d isregard his personal feelings for his duty and honour to the public. (Perry, 27) Nevertheless, Edward II is unable to accomplish this stating: I will have Gaveston (1.95) solely because he loves me more in all the world.(4.77). The result is disorder and chaos through which Mortimer Junior with the help of most of the other peers and Isabella obtain power. However, Mortimer Junior is revealed to be a figure of passionate political ambition chasing his own passions and desire; a tyrant who revels in his unrestrained power planning to advance his friends: Essentially, Mortimer Junior can be likened in the end to how Gaveston began in the play: as a figure representing passionate misrule, characterized by political ambition. Nevertheless, Valerie Traub suggests that the conclusions of these kind of early-modern plays tend to restore the social order. And because chaos is often expressed as an inversion of gender hierarchy, the reconstruction of order tends to reinstate masculine authority. (132). In Marlowes play Edward III represents this masculine authoritative figure, and he demonstrates his competence through his willingness to punish Mortimer Junior and -more importantly- his own mother, showing that he is able to subordinate personal affections to that of public duty in contrast to his father Edward II. Edwards political inabilities are inextricably connected with his sexuality, and his inability to handle it accordingly causes the civil rebellion in the play, and, ultimately, his death. Male affectivity and the perception on sexuality in the early-modern period is difficult to describe, because in a culture were intense male friendships and shared beds were the norm- it is almost impossible to distinguish between friends and lovers.(Hattaway, 482) Accusations of being a sodomite did occur; however, this generally did not refer to explicit sexual acts but was used to accuse somebody for immoral behaviour and acting out of unruly desires. Moreover, sexual orientation was not perceived as being a significant part of someones character, but according to Perry homoerotic desire was typically thought of as something that anybody could feel but that nobody should give expression to.(7) Nevertheless, buggery was considered to be a crime punishable by death in this period. Sex was created b y God for procreation and not for recreational purposes, making buggery a sin against God. In Edward the Second, the kings homoerotic relationship with his favourite Gaveston is made explicitly clear from the start where Gaveston compares their relationship to that of the classical story of Hero and Leander, for Leanders nightly meeting with Hero after his swim across the Hellespont was specifically a union of sexual love(Marlowe, xviii) which in return helps to assign Gavestons speech with an erotic undertone: Sweet prince, I come; these, these thy amorous lines Might have enforced me to have swum from France And, like Leander, gasped upon the sand, So thou wouldst smile and take me in thy arms. (1.6-9) Another occurrence in the play where classical figures are evoked to remark upon the relationship between the king, his favourite, and their erotic intimate behaviour is uttered by queen Isabella, who remarks that that their affection is even greater than Joves affection for the beautiful Ganymede: Like frantic Juno will I fill the earth With ghastly murmur of my sighs and cries For never doted Jove on Ganymede So much as he on cursed Gaveston. (4.178-81) Ganymede (a beautiful Trojan boy who was taken by Jove to serve as a cup-bearer on Mount Olympus because he fell in love with the boys appearance) came to act as an image for homoerotic desires and passions, and -in the early-modern period- he became to represent the foul sodomite (Orgel), epitomizing the essence of personal criminality and immorality. Surprisingly, in this play the problem does not lie in Edwards need to have a male minion for his sexual pleasures, as remarked by Mortimer senior when stating that The mightiest kings have had their minions: Great Alexander loved Hephaestion; The conquering Hercules for Hylas wept; And for Patroclus stern Achilles drooped. And not kings only, but the wisest men (4. 390-396) However, Edward II and Gavestons desires constitute a cultural threat because they insist that their homoeroticism not be divorced from their political and social identities (Stymeist, 237), making it possible for Gaveston to gain access to power that he should never be able to obtain, and resulting in a [h]omoerotic desireà ¢Ã¢â€š ¬Ã‚ ¦[that] enables a subversion of social hierarchy (Chedszoy, 256). Edward even places Gaveston next to him on the queens throne, underscoring the reversed, unnatural order present at court. Edwards fatal mistake, moreover, rests in his unnatural devotion to Gaveston while ignoring his peers and -more important- his homo-social obligation towards them. This becomes apparent when Edward II refuses to ransom Mortimer senior when he is captured in battle, which triggers the rebellion against Edward II by his former peers, because they fear that this failure of homosocial obligation could prefigure larger rebellion and disorder in the realm (Chedszoy, 257). Edward II neglects his peers, his queen, and his country by focussing solely on the wellbeing of, and his love for Gaveston, depicting him as effeminate and incapable to perform his duty. However, in the end Edward II reasserts some of his masculine qualities, showing the ambivalence of his sexuality as portrayed by Marlowe. Edward shows that he is able to withstand the sufferings and torture he goes through, revealing a masculine strength: He hath a body able to endure / More than we can inflict (24.10-11). Furthermore, the historical accounts on Edward II explain that he had won his wife in a game of jousting. This game was a premier way of proving ones masculinity, because it is a physical and dangerous sport that required toughness, fitness, and an ability to control your horse; which implicated that you were able to control yourself (Flood, Women, Men, and Sex). Last, queen Isabella -one of the few women present in Marlowes play- plays a significant role and goes through the most radical transformation during the play which questions gender ideologies that existed at the time, ultimately resulting in her demise. As stated previously, women were stereotypically portrayed as acting out of unruly passions and desires, and they needed to be subordinate and controlled by men (Ryan, 132). At first, queen Isabella attempts to make her marriage succeed for her, and she endeavours at being patient and obedient wishing that that her marriage to Edward will turn out for the better and hoping that her husband will no longer reject her emotionally and sexually. Edward, in turn, does nothing to try and make their marriage work, for his only concern is about Gaveston, and he openly scorns his wife by saying to Gaveston: Speak not unto her; let her droop and pine (4.63), while Isabella in vainà ¢Ã¢â€š ¬Ã‚ ¦look[s] for love at Edwards hand (9.62). Chedgzoy observes that Marlowe repeatedly indicates that for both Isabella and Edward, an orderly reconciliation of their competing desires might be possible, so long as it also reconciles the political and personal aspirations that shape Isabellas dissatisfaction. (252) When Isabella brings the news that Gavestonà ¢Ã¢â€š ¬Ã‚ ¦shall be repealed. (4.323), a loving reconciliation between the two occur. However, this reunion is only ephemeral because Edward is unable to maintain a suitable balance between his erotic desires, his love, and his obligations as a king. Isabella connects Edwards unnatural love for Gaveston directly with the countrys decline: Edward, thou art one among them all / Whose looseness hath betrayed thy land to spoil / And made the channels overflow with blood. (17.10-12). Consequently, Edward pushes Isabella in the arms of Mortimer Junior. However, Isabella is not merely an innocent woman desperately craving for love, for her adulterous behaviour is suggested from the start and her political ambition and sexual transgression grows more obvious when the play progresses (Stymeist, 246). She draws on recognizing and exploiting the power [she has] over Mortimer thatà ¢Ã¢â€š ¬Ã‚ ¦ will lead to adultery and murder. (Fuller, 84) She tra nsforms from being an obedient wife to an adulterous, manipulative, and murdering woman, for it is Isabella, together Mortimer Junior, who conspire to Edward and Kents execution. According to Stymeist, Isabella becomes a nightmarish emblem of adultery and unnatural motherhood, allowing her son to be forcefully taken away by her paramour (246-247). Her political ambitions and her emotional distress caused by her husband go hand in hand. Furthermore, Isabella transforms from being a scorned wife with feminine desires and passions to being a military leader showing masculine qualities. She is described by Edward as a warrior queen whose eyes, being turned to steel, / Will sooner sparkle fire than shed a tear.(20.104-105), and her union with Mortimer Junior offers her access to political power. In the end, both Edward and Isabella need to be eliminated to regain the natural order at court and in the realm, emphasized by Sara Munson Deats by stating that Marlowes radicalism is ultimately contained by a pervasive disciplinary and admonitory ideology: the roles that Edward and Isabella ultimately select deviate too markedly from societys authorized subject positions, and so they must be sacrificed as scapegoats of their inflexible culture. (qtd. in stymeist, 238) All in all, in the early-modern period, men were stereotypically perceived as being the head of the family, to provide for them, and they were expected to act according to reason. Women were stereotypically perceived as being prone to emotional outbursts and acting out of desire and passion. These feminine qualities, however, can also be seen in Christopher Marlowes play Edward the Second in the male character of King Edward II. He is unable to rule his country because he is unable to control his personal feelings, causing a rebellion among his peers because he does not listen to them with regard to his personal favourite Gaveston. Edwards political inabilities are inextricably connected with his sexuality -ambivalently portrayed by Marlowe- and his inability to govern himself for the sake of his country results to his death. In addition, his wife, after emotional and sexual neglect by Edward II, undergoes a radical transformation in the play, from being a humble, obedient, and rejec ted wife to being described as a warrior queen whose emotional distress and political ambition causes her downfall, restoring the order with Edward III on the throne.

Telecommunication :: Communication Technology Media Essays

Telecommunication Abstract What is telecommunication? Although a considerable number of studies have been actually conducted on telecommunication, I have never had academic opportunity to examine what it is. While the word ?etelecommunication?f has been brought to public attention, how many of us can exactly define it? How many of us can explain it in cultural context as well as in technological context? In my opinion, the word ?etelecommunication?f seems to be going forward itself so that our consciousness cannot catch up with it. As a new graduate student of the department of telecommunication, I hope to comprehensively understand what telecommunication is, and organize present issues systematically through this article. According to the requirement, this article consists of the following: areas and issues in telecommunication; key questions that telecommunication tries to answer; methods for studying, researching, and creating in telecommunication; and my learning and career goals for my telecommunication M A. What is telecommunication? In order to answer a kind of vague question such as what telecommunication is, I would like to focus on the areas in telecommunication in the beginning. Carne (1995) proposed the following: Telecommunication means communication from afar; it is the action of communicating-at-distance. In the broadest sense, it can include several ways of communicating (letters, telegraphs, telephone, etc); however, it is customary to associate it only with electronic communication systems such as telephone, data communication, radio, and television. (p.5) From this viewpoint, one may say that telecommunication is literally one of the ways of communication to receive or send massages. The question I have to ask here is what communication is. We unconsciously use the word ?ecommunication?f in a daily life. Then, how can we define communication, whose categories seem to range widely? In 1985 Charp and Hines described communication as the method by which we exchange sounds, signals, pictures and languages between people and places (p.13). From this definition, I realize that discussion in a class, conversation with someone by phone, writing a letter, reading a newspaper, and watching television are all grouped into the same category named communication because we exchange something with somebody by them. The question is what differentiates one communication from the other at more detailed categories. The first thing I notice is that the way of communication is different from each other: in some cases, communication from one to many or many to many, in the others, however, communication in person. In addition, it seems to depend on whether it is mediated or not.